La Judería

La Judería

in La Judería

Every good-sized city in Spain has a Judería, or ancient Jewish ghetto. Sephardic Jews lived in Spain from early Roman times, before the Christian era, until the late 15th century. The term Sephardic or Sephardi means Spanish or Hispanic and typically refers to Jews whose origin is the Iberian peninsula – Spain and Portugal. For centuries they co-existed peacefully with both Muslims and Christians. In fact many Jews immigrated to Spain during the years of Moorish rule because of the thriving intellectual life and the religious tolerance of the Muslims.

La Puerta de Almodóvar

La Puerta de Almodóvar – a gate in the medieval city wall

But in the late 13th century the Catholic monarchs in northern Spain began a reconquest of the Iberian peninsula for Christianity. Only the emirate at Granada (with the Alhambra as its base) was allowed to remain in an otherwise Christian Spain. The Christians were not as tolerant of the Jews as the Moors were, and there were open and brutal persecutions. Many Jews converted to Christianity to avoid persecution, which satisfied the Christians for a couple of centuries, until the Christian monarchs began to doubt the sincerity of the newly converted and suspected them of encouraging other new converts to join them in practicing Judaism in private.

La Sinagoga - the only synagogue in Andalucía to survive the Inquisition

La Sinagoga – the only synagogue in Andalucía to survive the Inquisition

Sinagoga

La Sinagoga

In 1487 Fernando and Isabel decided to get to the bottom of the issue by “inquiring” into the sincerity of the converts’ dedication to Christianity; hence, the Spanish Inquisition. Tragically these interviews, left in the hands of some decidedly anti-Semitic inquisitors, degenerated into torture and death.

Those who still openly practiced Judaism were given a choice: 1) convert to Catholicism, 2) leave Spain, or 3) face execution. Without a doubt, an appalling era in Spanish history that continued for almost four centuries.

doorway in the Judería

doorway into the Judería

In 2014, the Spanish government passed a law granting dual citizenship to Jews who can trace their ancestry back to Sephardic roots in Spain to “compensate for shameful events in the country’s past.” Just a few weeks ago, 4302 Jews were granted Spanish citizenship under this new law. It is expected that 90,000 Jews will apply for citizenship.

No, it doesn’t erase the past, but it’s a start at healing an open wound.

Today these Juderías are a fascinating maze of narrow, whitewashed alleyways and gorgeous, miniature plazas. So far, Córdoba’s is our favorite. We loved getting lost among the shops, restaurants, and artisan studios. Some of the space has also been converted into residences with beautiful flowered courtyards in the Andalucían style.

flower pots

Tales of the Alhambra

Patio of the Lions

Patio of the Lions

The Alhambra is the most popular tourist attraction in Spain and certainly one of my most anticipated. When I bought the tickets online in May, I had to select not only the day I wanted to go, but also the fifteen-minute time slot we wanted to begin our tour of the Palace of the Nasrids (the last Muslim dynasty to rule in Spain). The interior of the palace is where all those gorgeous photos of the Alhambra are taken. I posted the above photo of the Patio of the Lions on my website eighteen months ago, when this trip was but a twinkle in my eye.

Selecting a fifteen-minute time slot five months ago was a big deal for me. Despite travel insurance, I was a bit thoughtful about committing so far in advance. But the early purchase of the tickets also heightened my anticipation. We were really going to do this thing; I was really going to see the Alhambra.

I need to be keep my expectations in check. I had my day and time slot reserved so I imagined taking my time on the self-guided tour, strolling through the palace and enjoying the experience at my own pace. But this concept of regulating crowds by controlling admissions can backfire. People started lining up for the 3:30 time slot before 3:00, two time slots in advance. Really? By the time they were admitted to the palace, they practically stormed the place. This sense of urgency and competition pervaded the entire tour – people rushed from view to view trying to take their photos before everyone else. At every turn we had to wait for the crowd to clear long enough to see what we came to see, before the next wave of overachievers rushed through.

Here’s a thought about this digital age we live in: Everyone with a phone is a photographer, which means that everyone feels compelled to take a photo of everything remotely touristic. In an orderly situation, a line begins to form of people waiting their turn to take the same shot that their mother, father, sister, uncle, and dog just took. However, these situations are rarely orderly, or respectful. At one point, there was a group of ten or more people posing for a group selfie in front of one of the most beautiful windows in the palace. We stood waiting while each one of them captured the selfie on his or her own phone. That’s ten different shots on ten different phones of the same group in front of the same windows. Then, when all ten shots were taken, the group continued to hover in front of the windows while they admired and compared their photos and posted them on Instagram for the rest of their friends to see.

By the time we walked through the Alhambra, our nerves were shot. Marcus did get some beautiful photos, however, after patiently waiting his turn, and he was kind enough to share them with me so I could leave my phone in my purse.

And I was just kidding about the dogs taking photos. Most of them keep their phones in their pockets and are very respectful.

The Osborne bulls

bull2

We have fallen head-over-heels in love with these bulls encountered on the hillsides of Spain. Originally an advertisement for Osborne brandy, these bulls are fourteen meters (forty-six feet) high and are strategically placed along the highways for maximum drama.

According to Wikipedia, the EU passed a law in 1994 outlawing the advertisement of alcohol on the highways, so all the bulls were to be removed. But they had become such an icon of Spain that there was a public outcry. They were allowed to remain if Osborne agreed to paint over any reference to their product, which they did. There are now ninety-one of these solid black bulls throughout the country. It’s thrilling to come around a bend in the highway and find one of these guys hovering above you, especially because they are so few and far between.

bull1

I’ve said it before: I am totally against bullfighting or torturing animals in any respect, which is all the more reason I love to see these “survivors.” They may represent the archaic sport of bullfighting to some, but to me they represent the majesty of a magnificent animal. And that’s no bull!

Wandering in Valencia

Mercado Central from the outside

Mercado Central from the outside

Valencia, the third largest city in Spain after Madrid and Barcelona, does not have many sights per se, which makes it a great city to wander in. No agenda, just mosey down any street that strikes you as interesting. And when you feel you are hopelessly lost, pull out Google Maps. Here’s a bit of what we discovered.

Mercado Central on the inside

Mercado Central on the inside

evidence of the Moorish influence on architecture

evidence of the Moorish influence on architecture

typical Spanish street life

typical Spanish street life

our favorite hangout - real craft brews, very rare in Spain

our favorite hangout – real craft brews, very rare in Spain

beautiful palm-lined streets

beautiful palm-lined streets

the glass-domed ceiling in the post office

the glass-domed ceiling in the post office

Plaza de Toros

Plaza de Toros

Looking back at Barcelona

 

While I did not love Barcelona as much as I thought I would, I have to say it was because of the throngs of tourists more than anything else. It really is a beautiful city, and I wish we could have had it to ourselves for a day – okay, maybe the whole week. But looking back, there were many things I did love. Here’s a sample.

Park Güell

the terrace overlooking Barcelona

the terrace overlooking Barcelona

Of all the things on my list to see in Barcelona, Park Güell was the most anticipated – even more so than La Sagrada Familia. And it was also the most disappointing.

Marcus and I were taking a day off on a Sunday. After hanging out at the apartment paying bills, writing blogs, and being generally lazy, we needed some activity. Let’s go for a walk in the park!

wild parrots build nests in the palm trees

wild parrots build nests in the palm trees

Park Güell was originally a business venture commissioned of Gaudí by his patron, Count Eusebi Güell. It was designed as a commercial center in the suburbs of Barcelona where the well-to-do could live, socialize, and shop. Unfortunately the enterprise failed, but Gaudí so loved the area he designed that he spent the last twenty years of his life living there. I had seen photos of the serpentine mosaic benches on the terrace overlooking Barcelona, and I couldn’t wait to sit there and take in the view.

We approached the park from a side entrance, so we didn’t see the busloads of tourist entering at the main entrance. As we approached the terrace, we saw a long Disney-esque line snaking back from a ticket booth. Ticket booth? What is there to buy in a public park? Well, it turns out that they control the number of people who are on the terrace at any given time by selling tickets ($9 per person) for appointed time slots. So you stand in line to buy your tickets, and then you stand in line to wait for your time slot. I was incensed and refused to buy a ticket on principle.

Gaudí designed the columns that support the terraces to look like tree roots

Gaudí designed the columns that support the terraces to look like tree roots

There were plenty of other terraces to enjoy on our own time and at no expense. The park had many levels as it wound its way uphill, and we started to hike in search of views of Barcelona. As we achieved each level and admired the view, there was always a higher level with a better view. So up we’d go again. I hadn’t dressed appropriately for the 85° weather. Wunderground told me it was only going to be in the low 70s. The entrance to our apartment building is in an urban canyon that sees no daylight, so it was quite cool when we left the apartment. I wore jeans, a sweatshirt, and boots. Everyone else was in capris or shorts and sandals. How is it that everyone always seems more in tune with the weather than I am? I don’t think I got the weather right a single day in Barcelona. Isn’t this October? Isn’t it supposed to be fall now?

the entrance to Park Güell

the entrance to Park Güell

Long story short, I couldn’t get the Disney effect out of my head. By the time we walked down to the main entrance to the park, I didn’t have the patience to fight my way through the mob to look at Gaudí’s mosaic creatures and ceramic buildings. The photo-snapping swarm and the heat had done their worst, and I couldn’t wait to go. We walked home on souvenir-lined streets that seemed to go on for miles. I mean, really, how many mosaic lizards and frogs can tourists consume? It wasn’t until we reached the square near our apartment that I could finally breathe freely – and put that sweatshirt back on.

Holy Cathedral!

La Sagrada Familia

La Sagrada Familia

So many people I know have been to Barcelona. If they’ve been to Europe, and especially if they’ve been on a Mediterranean cruise, they’ve been to Barcelona. And all of these people, when they heard about our trip to Spain, asked if we were going to see Antoni Gaudí’s famous cathedral, La Sagrada Familia (The Holy Family), while we are here. ¡Claro que sí!

columns grow to the ceiling like trees

columns grow to the ceiling like trees

I had high expectations when I entered the cathedral, and I must confess they were exceeded. Oh! My! Goodness! Gaudí was so outside the box on this one. This is like no cathedral ever built. Where did he come up with his designs? Nature, they say. Beginning as a young boy, he studied the shape of natural things: the angle of the roots at the base of a tree trunk, the angle at which the branches extend from the trunk, the arc of palm fronds hanging from branches. There are no straight lines or right angles in nature, he determined, so there aren’t any in his cathedral. Why not make the columns that support the massive roof grow like trees from the floor right to the lofty ceiling? The spreading branches eliminate the need for buttresses, and you feel like you’re in a forest. For him, religion and nature were one. He also loved mathematics, especially the geometry of paraboloids and hyperboloids. I have to agree with him: There is nothing more aesthetically pleasing than a curve.

light streaming through hidden colored windows

light streaming through hidden colored windows

Gaudí loved color as well. The gradations of the rainbow, from reds to blues and violets, as you progress around the side aisles of the cathedral are phenomenal. There is the beautiful, visible stained glass, but he also included colored windows you can’t see that allow light suffused with color to strike the white, interior side walls.

IMG_5439And the crucifix suspended at the heart of the cathedral under an umbrella of light is visible from every angle. It is like nothing I have ever seen before, and truly awe-inspiring!

Gaudí used visual allegory throughout his design, but especially on the exterior. Each of the three façades; the Nativity, the Passion, and the Glory; is covered in flora, fauna, and Biblical characters rich in significance. The two columns on the Nativity façade are supported by a tortoise and a sea turtle representing the land and the sea. Only the Nativity façade was complete when Gaudí died at the age of 73 in 1926. He was hit by a tram as he was crossing the street to go to work at the cathedral, but after a short hiatus the work continued under his assistant’s guidance. The Passion façade was completed in 1976, and now they’re working on the Glory.

the Nativity façade

the Nativity façade

Sant Jordí (St. George)

Sant Jordí (St. George)

They are hoping to have the cathedral finished in 2026, the centennial of Gaudí’s death, but I’m hearing whispers of 2040. What they’ve accomplished so far is literally fantastic, and if the Glory façade has as much detail as the other two, then they’ve got a ways to go yet.

From any hill in Barcelona you can see Gaudí’s cathedral sailing on the sea of buildings and watch the cranes hard at work. It’s so exciting to think that one day this masterpiece will be complete and we were there to watch it unfold.

the choir surrounds the interior

the choir lines the interior so that music surrounds

Santa María del Mar

Santa María del Mar, Barcelona

Santa María del Mar, Barcelona

This church, built in the 14th century in the Catalan Gothic style, is simple in style but strikingly beautiful. There must be something to the theory that geometric proportion is aesthetically pleasingly because this church was designed around units of eight, the numerical symbol for the Virgin Mary, and it is heart-achingly symmetrical.

the nave

the nave

The first impression is that the church is incredibly light and lofty inside for a church built in the Middle Ages. Some claim that the columns supporting the roof are the most slender of any Gothic church ever built. Where you notice this most is in the apse. I don’t know if the eight columns behind the altar are physically taller or more slender than the columns in the nave, or if it’s the light coming in from the windows there, or just an optical illusion, but certainly the eye is drawn upward toward heaven, as was intended by the architects.

 

I don’t ever remember being in a church with an open ambulatory – no walls, no screen, no closed doors behind the altar; the openess invites you to walk behind the altar and explore it from every angle. Now that’s my kind of church!

the rose window above the entrance

the rose window above the entrance

painting in the keystone of one of the arches

painting in the keystone of one of the arches